Charles Deas (1818-1867) – The Death Struggle (1845Collections of the Shelburne Museum) part 2 American painters

part 2 American painters – Charles Deas (1818-1867) - The Death Struggle (1845Collections of the Shelburne Museum)

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Album-Navigation:

part 2 American painters - Thomas Wilmer Dewing (1851-1938) - A Reading (1897 Smithsonian American Art Museum)

part 2 American painters - William McGregor Paxton (1869-1941) - Tea Leaves (1909 The Metropolitan Museum of Art)

part 2 American painters - William Merritt Chase (1849-1916) - Idle Hours (ca. 1894 Amon Carter Museum)

part 2 American painters - Allen Smith Jr. (1810-1890) - The Young Mechanic (1848 Los Angeles County Museum of Art)

part 2 American painters - Arthur Fitzwilliam Tait (1819-1905) - The Life of a Hunter (1856, Crystal Bridges Museum of American Art, Bentonville, Arkansas)

part 2 American painters - Charles Cromwell Ingham (1796-1863) - The Flower Girl (1846 The Metropolitan Museum of Art)

part 2 American painters - Charles Felix Blauvelt (1824-1900) - A German Immigrant Inquiring His Way (1855 North Carolina Museum of Art)

part 2 American painters - Charles Schreyvogel (1861-1912) - My Bunkie (1899 The Metropolitan Museum of Art)

part 2 American painters - Charles Willson Peale (1741-1827) - Benjamin and Eleanor Ridgely Laming, 1788 (National Gallery of Art, Washington, D. C.)

part 2 American painters - Charles Willson Peale (1741-1827) - The Artist in His Museum, 1822 (Pennsylvania Academy of the Fine Arts, Philadelphia)

part 2 American painters - Charles Willson Peale (1741-1827) - The Exhumation of the Mastodon, 1805-8 (Maryland Historical Society)

part 2 American painters - Christian Friedrich Mayr (1803-1851) - Kitchen Ball at White Sulphur Springs, Virginia (1838 North Carolina Museum of Art)

part 2 American painters - Francis William Edmonds (1806-1863) - The City and Country Beaux (ca. 1838-40 Sterling and Francine Clark Art Institute)

part 2 American painters - Francis William Edmonds (1806-1863) - The Image Pedlar (ca. 1844 Collection of The New-York Historical Society)

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Vielleicht ist das Bild eines Mannes, der auf dem Rücken eines weißen Pferdes reitet, neben einem schwarzen Pferd und einem weißen Pferd mit einem Mann auf seinem Rücken.

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